21 de maio de 2010

3 de maio de 2010

Beijing


Co-organizer:
ET-AC   Yi Xiang  ET-AC
Centre for Visual Studies Peking University
2010 Chinese Screenage Art Exhibition
Chinese Screenage Art Forum
Art For All Society
C-Space
Arario Beijing

Dave Swensen, Nicole Rademacher, Khairy Hirzalla, Hakan Akçura, Larry Caveney, Kim Miller, Vienne Chan, Basmati, Irina Gabiani, Xenia Vargova, Ng Fong Chao, Noah ,Chan Ka Keong, Chu Chun-Teng, Gaia Bartolini, Daniel Chavez, Michael Douglas Hawk, Richard Jochum, Alison Williams, Debbie Douez, Manfred Marburger, Gili, Avissar, José Drummond, Masha Yozefpolsky, Bianca Lei, Li Xiaosong, Nicolas Provost, Amina Bech, Bill Millett, Anders Weberg, Glenn Church, Alison, Williams, Christy Walsh, Alberto Guerreiro, Alicia Felberbaum, Sue Pam-grant, Danny Germansen, Li Mu, (Alice Kok), Adamo Macri, Ebert Brothers, Verena Stenke / Andrea Pagnes, Robertina Sebjanic, Niclas Hallberg, Michael Chang, Paolo Bonfiglio, João Ricardo, (Cindy Ng), Peng Yun, Miao Xiaochun, Zhang Xiaotao, Bai Chongmin, Ma Yongfeng, Wu Weihe, Pu HUa, Wu Junyong, Chen Xuegang, Ye Dan, Sun Lei, Lei Lei, Liu Qianyi, Sui Jianguo. Liu Xuguang, Zhang Meng , Gao Fuyan, ShengJie, Huang Yang, Wu Qiuyan, 一Chen Zhuo+ Huang Keyi, Tan Qi, Ding Xin, Shang Liang , Feng Jiangzhou, Zhuo Fan, Lin Jingjing, Wang Dongsheng, Zhang Haitao, Li Ning, Tian Miaozi, Yu Fei , Zhang Minjie, Li Ming, Chen Zhou, Liu Shiyuan, Zhang Mengqi, Huang Linfei, Sun Nan, Ye Yuanyuan, Xia Peng, Zhang Yi, Yu Siming, Huang Rongzheng, Li Long, Chen Wei, Chen Xi, Ren Lun, Wen Qiang

Biogram

A minha foto
Lisbon, Lisbon, Portugal
Anthropologist, museum and art curator, started in 2006 a long-term visual conceptual project: a work in progress that includes single-channel video, film, explorations of archive footage, experimental movies and conceptual photography. The art project materializes visual experiences involving original footage or the re-treatment of moving images and also the use of soundscapes. Basically, the conceptual outline goes from the political visual essay (violence in history) to a deeper more introspective way, like expressing the Freudian psychoanalysis or going into Nietzsche’s philosophy. Aesthetically is inspired in two close-related modern and post-modern movements: surrealism (language) and pop art (technique). It is also assumed a strong link – formal and informal – to the history of cinema.