23 de agosto de 2010
7 de agosto de 2010
ECVP Vol. 2 (Cali, Colombia)
The Exquisite Corpse Vol 2
Cali, Colombia
50 artistas de 21 países.
Sábado 7 de Agosto de 2010
Hora: 7 pm
Lugar: Pascua restaurantre
The ECVP [Exquisite Corpse Video Project] is a video collaboration collaboration project inspired by the Surrealist creation method, the “Exquisite Corpse”. The project is coordinated by the Brazilian artist Kika Nicolela and currently has 63 participating artists from 21 different countries.
HOW?
In the Surrealist ‘game’, a paper is folded such that each contributor sees only a small portion of the previous contributor’s work, and begins his own work from that small portion. When the last participant is finished, the sheet is unfolded to reveal a strangely divergent, yet contiguous form or figure.
Using the semi-blind, sequential method of the surrealists’ game, ECVP participants create video art in response to the final ten seconds of the previous member’s work. Each member is asked to incorporate these seconds into their piece, creating transitions as they please, until everyone’s vision is threaded together into an instigating final “corpse.”
While the Surrealists are said to have created the method almost a century ago, only recently could such a fast-paced, pan-global, audiovisual variation of this exercise be produced. The inspiring process of exchange between artists from around the world illuminates the possibilities and potentials of a globalized, collective creativity.
WHERE?
ECVP Screenings and exhibitions have been taking place in various countries since June 2008, such as Sweden, USA, Greece, Canada, Brazil, Mexico and South Africa.
WHO?
Complete list of artists in both ECVP Vol. 1 and Vol. 2:
Alberto Guerreiro (Portugal)
Alexandra Buhl (Denmark)
Alexandra Gelis (Colombia)
Alicia Felberbaum (England)
Alison Williams (South Africa)
Alvaro Campo (Switzerland)
Ambuja Magaji (India)
Anders Weberg (Sweden)
Anthony Siarkiewicz (USA)
Arthur Tuoto (Brazil)
Brad Wise (USA)
Bruno Penteado (Brazil)
Caroline Breton (France)
Christian Leduc (Canada)
Danny Germansen (Denmark)
Dave Swensen (USA)
Dellani Lima (Brazil)
Fernando Velazquez (Brazil)
Gabriel Soucheyre (France)
Giada Ghiringhelli (Italy)
Giselle Beiguelman (Brazil)
Guillermina Buzio (Argentina)
Hans Manner-Jakobsen (Denmark)
Hélène Abram (France)
Jake Selvidio (USA)
Jan Hakon Erichsen (Norway)
Jan Kather (USA)
Joas Sebastian Nebe (Germany)
John Criscitello (USA)
John Pirard (Belgium)
Jorge Lozano (Canada)
Joshua Sandler (USA)
Joy Whalen (USA)
Kai Lossgott (South Africa)
Katja Bjorn (Denmark)
Katy Connor (UK)
Kika Nicolela (Brazil)
Kim Dotty Hachmann (Germany)
Kim Thøgersen Grønborg (Denmark)
Lucas Bambozzi (Brazil)
Mads Ljungdahl (Denmark)
Marty McCutcheon (USA)
Matthias Roth (Germany)
Michael Chang (Denmark)
Michael Greathouse (USA)
Mike Bennion (UK)
Niclas Hallberg (Sweden)
Nung-Hsin Hu (Taiwan)
Paulina Sandberg (UK)
Pedro Reis (Portugal)
Per E Riksson (Sweden)
Pila Rusjan (Slovenia)
Renata Padovan (Brazil)
Romuald Beugnon (France)
Ronee Hui (England)
Simone Stoll (Germany)
Sohrab M. Kashani (Iran)
Stina Pehrsdotter (Sweden)
Tales Frey (Brazil)
Tim Pickerill (USA)
Ulf Kristiansen (Norway)
Wai Kit Lam (China)
Zachary Sandler (USA)
Subscrever:
Comentários (Atom)
Biogram
- Blaze
- Lisbon, Lisbon, Portugal
- Anthropologist, museum and art curator, started in 2006 a long-term visual conceptual project: a work in progress that includes single-channel video, film, explorations of archive footage, experimental movies and conceptual photography. The art project materializes visual experiences involving original footage or the re-treatment of moving images and also the use of soundscapes. Basically, the conceptual outline goes from the political visual essay (violence in history) to a deeper more introspective way, like expressing the Freudian psychoanalysis or going into Nietzsche’s philosophy. Aesthetically is inspired in two close-related modern and post-modern movements: surrealism (language) and pop art (technique). It is also assumed a strong link – formal and informal – to the history of cinema.