59 CUBA 09

Play Magnum Essay

Coffee and Cigarettes Generation

Coffe and Cigarettes - Jim Jarmush (2003)

EXH Room: Rene Clair

Rene Clair (1898-1981)

Art? What is art # 2?

David Byrne e um inacreditavelmente cool Jeff Koons à conversa na 52 Bond Street, New York, no Verão de 1975.

David Byrne and an unbelievably cool Jeff Koons in conversation at 52 Bond Street, New York, in the summer of 1975.

Art? What is art?

Find more videos like this on artreview.com


Seven years after his controversial Work No. 227: The lights going on and off, which consisted of just that, in an empty gallery at Tate Britain (and which contributed to him winning the Turner Prize), British artist Martin Creed returns to his crucible with Work No. 850. Every 30 seconds from now until November, a single runner will sprint the length of the empty Duveen Galleries. Creed, whose practice typically involves raw physicality, pseudo-autistic repetition, and the slightest alterations to materials and spaces, says Work No. 850 is about exhibiting life lived fully, and the comfort of regularity. Skye Sherwin, deputy editor of ArtReview magazine, caught up with Creed on the opening day of the exhibition.

FocFest - Open Call (Convite a artistas)

So long Bob

Tracer (1963)

Robert Rauschenberg
(1925-2008)

Ph. Play Next Door

Phantomography at Lightstalkers

au louvre

Jean-Luc Godard: Bande à part, 1964.

phantomography - Electric Land

Uma visão fastidiosa dos mecanismos de percepção e sensibilidade. O espaço exterior urbano (mundo real - humanos) e o espaço interior do sonho (mundo paralelo - fantasmagórico). Uma história dividida entre o movimento rápido das cidades e auto-estradas e do movimento lento das memórias e dos sonhos.

A fussy vision of the mechanisms of perception and sensitivity. The outer space of urban life (real world - human) and the inner space of dreamland (parallel world - phantasmagoric). A road story between fast motion of cities and highways and the slow motion of memories and dreams.

Barreira - Wooloo

Fantôme bruit - le film (trailer)

Streaming Festival: Entrevista | Interview

Entrevista no rescaldo da participação

no Streaming Festival de 2007

Interview following the participation

at the streaming festival 2007

link:

Rainbow Serpent Festival

Video-Cut no Deserto Australiano

Temos o prazer de anunciar que três video-cuts foram selecionados para o Video Arts Lounge do Rainbow Serpent Festival, West Victória, Austrália.



H-10 | El Gran comunicador | X-machina integram a programação da mostra internacional.

O Rainbow Serpent Festival é um dos principais festivais ao ar-livre de música e arte performsativa da Austrália. Promotor de uma forte ligação etnica, o Festival - cujo nome deriva do mito da serpente arco-íris - consegue reunir público(s) de todos os pontos do globo. Decorrendo durante quatro dias - de 25 a 28 de Janeiro (todos anos coincidindo com o Dia Nacional da Austrália), o Festival atraí cerca de 7.000 pessoas por ano, vindos da Austrália e de todo o mundo, através da sua programação de música alternativa, workshops e artes performativas.

We have the pleasure to announce that three of the video-cuts were selected to Video Arts Lounge of the Rainbow Serpent Festival, West Victoria, Australia. H-10 | El gran comunicator | X-machina are part of the international program.

The Rainbow Serpent Festival is one of Australia's premier outdoor alternative lifestyle, music and arts festivals. Promoting a strong ethos of unity, the festival – whose name is derived from the Dreamtime story of the Rainbow Serpent, is about connecting people from all walks of life throughout the world. At Rainbow you'll find people from all communities and demographics, joined together by a shared desire to celebrate life and to learn and experience new things.

Running for four days - from 25 to 28 of January (over Australia Day weekend in January each year), Rainbow attracts around 7,000 people from all over Australia and the world with it's unique blend of music, workshops, activities, performance art and market stalls.

RSF Video Arts Lounge Program 2008

Eyebeam

"We are thrilled to have been selected. The Eyebeam project is at the intersection of our passions, architecture and new media art. The great challenge ahead is to reconcile their discrepancy in speed: architecture is permanent by nature and new media is transient by definition. We will have to invent the map as we navigate it."
Elizabeth Diller

EYEBEAM MUSEUM OF ART AND TECHNOLOGY - CHELSEA NEW YORK
DILLER SCOFIDIO + RENFRO ARCHITECTS
2001 - 60,000,000 DOLLARS (CONSTRUÇÃO SUSPENSA/SUSPENDED)

The Eyebeam facility in Chelsea will be the city's first institution dedicated exclusively to new media art and the largest institution of its kind in the United States, housing an exhibition space, artist-in-residence studios, an education center with multi-media classrooms, a state-of-the art new media theater, a digital archive, a restaurant, and a bookstore. It will be dedicated to exploring - through the vehicle of new technologies - the connection between science and art. The structure will be approximately 90,000 square feet, rising from a 15,000 square-foot site.

The spatial logic of the proposed building is based on a simple premise: a pliable ribbon that locates production (atelier) to one side and presentation (museum/theater) to the other. This ribbon undulates from side to side as it climbs vertically from the street. The floor becomes wall, turns into floor, turns into wall, etc. With each change of direction, the ribbon enfolds a production space or a presentation space, alternately. The combing of programs also combs together two diverse populations: the building's residents (students, artists, and staff) and the building's visitors (museum and theatergoers). The alternating programs require each population to pass through the space of the other while moving between successive levels.

artigo/article - arcspace

IMAGES BY DILLER SCOFIDIO + RENFRO

Also/ver - Exposição / Exhibition

Your Move

Westworld - Michael Crichton (1973)

A Museologia de Poulot

Tenho vindo a caçar fantasmas,
eu não gosto
Cá de longe a espreitar na torre, a respirar o ar,

eu volto

Eu estava contigo em Paris
No café, na esplanada, a tragar a bebida
A matar o tempo como podia
A ler a museologia de Poulot todo o dia.

E pensava em mim
E pensava sobre o que é meu
A viver a minha vida como um snob dormente

E mesmo assim,

a morrer todos os dias na linha da frente.