A fussy vision of the mechanisms of perception and sensitivity. The outer space of urban life (real world - human) and the inner space of dreamland (parallel world - phantasmagoric). A road story between fast motion of cities and highways and the slow motion of memories and dreams.
7 de abril de 2008
phantomography - Electric Land
Uma visão fastidiosa dos mecanismos de percepção e sensibilidade. O espaço exterior urbano (mundo real - humanos) e o espaço interior do sonho (mundo paralelo - fantasmagórico). Uma história dividida entre o movimento rápido das cidades e auto-estradas e do movimento lento das memórias e dos sonhos.
A fussy vision of the mechanisms of perception and sensitivity. The outer space of urban life (real world - human) and the inner space of dreamland (parallel world - phantasmagoric). A road story between fast motion of cities and highways and the slow motion of memories and dreams.
A fussy vision of the mechanisms of perception and sensitivity. The outer space of urban life (real world - human) and the inner space of dreamland (parallel world - phantasmagoric). A road story between fast motion of cities and highways and the slow motion of memories and dreams.
Subscrever:
Enviar feedback (Atom)
Biogram
- Blaze
- Lisbon, Lisbon, Portugal
- Anthropologist, museum and art curator, started in 2006 a long-term visual conceptual project: a work in progress that includes single-channel video, film, explorations of archive footage, experimental movies and conceptual photography. The art project materializes visual experiences involving original footage or the re-treatment of moving images and also the use of soundscapes. Basically, the conceptual outline goes from the political visual essay (violence in history) to a deeper more introspective way, like expressing the Freudian psychoanalysis or going into Nietzsche’s philosophy. Aesthetically is inspired in two close-related modern and post-modern movements: surrealism (language) and pop art (technique). It is also assumed a strong link – formal and informal – to the history of cinema.
Sem comentários:
Enviar um comentário