8 de agosto de 2007

X-Machina + Islam Baby: Ciclo TdG - Bacalhoeiro - Lisboa

Casa dos Bicos. 07.08.2007.

Foi na noite de ontém em Lisboa, junto à Casa dos Bicos , que se realizou o primeiro evento integrado nos Territórios de Guerra. O ciclo de video TdG promovido em parceria com o Bacalhoeiro realizou-se ao ar-lvre no local de verão desta associação cultural, situado no Campo das Cebolas e contou com as projecções de X-machina e Islam Baby (barbed-wire-dance), este último especialmente concebido para os TdG.

X-machina. 07.08.2007.

O evento contou ainda com as projecções de "Bairro" (um videoclip hip-hop de Caos para Ex-Peão); "Liberdade" (Rui Rangel); "Valores Menores" (Ricardo Reis); "6:00" (Ana Martins) e "Peter's Story" (Miguel Janúario).

Obrigado TdG, Bacalhoeiro e especialmente Catarina D.

Islam-baby. 07.08.2007.

It was last night in Lisbon, next to the Casa dos Bicos, that the first event of Territories of War (TdG) took place. The video event TdG promoted in partnership with Bacalhoeiro was fullfilled in the summer spot of this cultural association, the open-area situated in the Campo das Cebolas Square (nearby the Tagus River) and counted with the screenings of X-machina and Islam Baby (barbed-wire-dance), this last one specially conceived for the TdG group.

The event also counted with the screenings of "Bairro" (a hip-hop videoclip by Caos for Ex-Peão); "Liberdade" (Rui Rangel); "Valores Menores" (Ricardo Reis); "6:00" (Ana Martins) e "Peter's Story" (Miguel Janúario).

Bacalhoeiro. Campo das Cebolas. 07.08.2007.


Thanks to TdG, Bacalhoeiro and Catarina D.

Biogram

A minha foto
Lisbon, Lisbon, Portugal
Anthropologist, museum and art curator, started in 2006 a long-term visual conceptual project: a work in progress that includes single-channel video, film, explorations of archive footage, experimental movies and conceptual photography. The art project materializes visual experiences involving original footage or the re-treatment of moving images and also the use of soundscapes. Basically, the conceptual outline goes from the political visual essay (violence in history) to a deeper more introspective way, like expressing the Freudian psychoanalysis or going into Nietzsche’s philosophy. Aesthetically is inspired in two close-related modern and post-modern movements: surrealism (language) and pop art (technique). It is also assumed a strong link – formal and informal – to the history of cinema.